Francis Eginton, The Prospect Hill Studio and Glass Painting in late Georgian Britain (Download Link)
Francis Eginton, The Prospect Hill Studio and Glass Painting in late Georgian Britain (Download Link)
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Francis Eginton (1737-1805), The Prospect Hill Studio and Glass Painting in late Georgian Britain.
Why did a successful Birmingham toy-maker and entrepreneur take up the business of glass painting, on an architectural scale, in the late eighteenth century? What were the philosophical, religious, and technological drivers of his paintings; and how did he attract his elite clients? This illustrated talk focuses on some of Eginton’s remaining works, together with other eighteenth century comparison and contextual pieces from the Stained Glass Museum’s own collection.
Suzanne Phillips Galloway is studying for a PhD in the History of Art at the University of Buckingham. She is also a member of The Georgian Group; and she was a Trustee of the Glaziers’ Foundation and chaired its Craft & Competitions Committee (2016-2020). Suzanne was Master of The Worshipful Company of Glaziers & Painters of Glass (2019-20) and is presently a Trustee of The Stained Glass Museum.